Rachel Hocking
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Music Trip - Salzburg

26/3/2025

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I was lucky to go to Salzburg twice in 2024. It's a beautiful small city, with the fortress looming over the old town. Mozart was born in Salzburg, his family are buried there, and there are at least two Mozart museums on offer. Salzburg also has some well-known venues such as the festival hall. The Sound of Music was also filmed on location around Salzburg, including at the outside of the Nonnberg Abbey, where the original Maria Von Trapp was a novice nun. According to the recent movie Mozart's Sister (definitely well worth watching), if a girl in Mozart's time wanted to be a musician, compose, play pipe organ (similar to what I am currently doing in my own professional life), the only option for her was to join the Nonnberg Abbey as a nun....!!! My photos are a blend of Mozart, Sound of Music and Salzburg landmarks.
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Music Trip - Vienna

18/3/2025

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Last year, I was fortunate to visit some important composer sites (from the European Classical Music tradition) as well as hearing some fabulous concerts. Here's some details of those trips - first... Vienna, the capital of music!
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 Classical musicians vs pop musicians - is there a difference in the classroom?

21/4/2016

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Picture
There’s a perception that classical musicians are different to pop musicians. On some level, this is true when it comes to learning experiences, and as teachers, we need to choose the right pedagogy for the style being studied. However, there are some similarities across all styles of music and we can use these similarities to bring relevance to new music when expanding student musical horizons.
So what types of experiences can we give students?
  • Some academics have identified ‘informal’ learning activities associated with pop including: listening and copying; solitary practice; group learning; apprenticeship; experimentation; integrating listening, playing, singing, improvising, composing. This is similar to Orff Schulwerk.
  • Classical music ‘formal’ learning activities include practising instrumental skills, developing aural skills, reading notation, learning instrument-specific repertoire, developing theoretical understanding. Improvisation, composition, memorisation, and apprenticeship are a strong part of this tradition - competent teachers recognise this. 
  • Technology is now a part of both ‘informal’ and ‘formal’ types of musical learning.
Not surprisingly, both the ‘informal’ and ‘formal’ ways of learning align with each other. In a study into commonality and diversity in classical and non-classical musicians, it was found that expert performers have skills that are transferable to any musical genre. 

In the classroom, we can start with these common music-making skills that exist across genres and use these to create relevance for the student from known music to the unknown. This way, we can create a balance between what is seen as 'classical' and what is seen as 'pop'. From here, we can then hone in on specific pedagogies to learn specific styles. Music pedagogy, for ourselves as musicians, and for our students, need to authentically align with the musical style we are studying. We need to model ourselves as 21st-century musicians and interact with music in a musical way, not merely a historical and theoretical way, in order to remain relevant.

More reading


  • Lucy Green' study on pop music learning practices.
  • Paul Thompson's study on learning practices of electronic musicians.
  • Peter Dunbar-Hall's similarities between pop and Orff pedagogies.
  • Gregory Springer's study into teacher training and pop music. 
  • Robert Woody's pedagogical strategies for teaching pop music via the Orff method.
  • If you know of a peer-reviewed article on the positives of 'formal' music pedagogy, please put it in the comments below, as there is real bias against it at the moment.
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Secondary school resources

24/3/2014

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I'm currently studying MTeach in secondary school teaching and have put together a number of webpages to meet assignment/prac requirements. These pages have resources, presentations, and online activities that both students and teachers can use. Please contact me if you want to use any of the quizzes as I will have to alter them to make it work for you. Here is a list of these resources which I'll keep updating.

Topics:
19th Century Music
Classical Music
Music of Africa
Music of the Baroque period: keyboard instruments
Music of a Culture: Jewish music
Music of a Culture: Yolngu music
Music of a Culture: Balinese Gamelan music
Music for Multimedia: Gaming Music
Music for Radio, Television, Film and Multimedia: Advertising Music
Music for Radio, Television, Film and Multimedia: Music for Film
Music and Technology: Electronic Music
Music and Technology: Minimalism
Popular Music: Soul Music
Popular Music: Australian Rock Music
Theatre Music

Exams:
Music 2, Year 12 Aural Exam (created by R.Hocking)

Music Skills:
Rhythm: triple time

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    My Blog

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